My work is grounded in materials. The materials are conduits for my body. Likewise, my body is the conduit for the inextricable and voluminous feelings about all that I experience. This is true both in the present and via deep memory. Our bodies house our experiences. In this sense I suppose that my work is a kind of off gassing.

The goal in executing the work is to pour out these feelings and allow them to guide. I act as a conduit between impulse and image making in order to cultivate a situation where broader meaning can bloom. When the initial impulse is honored, the work flows.

I seek synthesis when I concentrate on anything. Working with abandon opens the process to the possibility of revelation.